You'll spend a morning here — and leave with a catalogue that finally looks like the brand.

We're a small product and food photography studio in Orlando. We shoot one brand at a time, we frame for the crop shoppers actually see, and we hand back frames you own outright. Here's how the yard works, and who's behind the camera.

FoundedA garage, S Texas Ave
The floor900 sq ft, north light
On the floorOne brand at a time
TurnaroundFirst edits, 10 days

On the seamless A softbox lighting a bottle on a grey seamless sweep inside the Fennwick Yard studio

How it started

“Most products online are photographed like paperwork. We shoot them like something you'd want to pick up.” — Marguerite Fennwick, founder & lead photographer

Fennwick Yard began in a garage off S Texas Ave with a borrowed strobe, a folding table, and a stubborn opinion: a product photo has exactly one job — to answer the question a shopper hasn't finished typing yet. Is it the right size? Does the finish match the swatch? Would it look good on my shelf? Flat, evenly-lit inventory shots answer none of that.

So we built the studio around the shopper instead of the spreadsheet. Every item gets turned to the light, framed close enough to trust, and shot honest about scale and texture. The garage became a 900-square-foot floor, the folding table became forty rotating surfaces — but the opinion never changed.

What we hold to

Four things we won't compromise, written down so you can hold us to them.

Not a mission statement — a working method. This is how a booking actually runs, every time.

Licensed, not rented

Every finished frame ships with a full commercial license — storefront, marketplace listings, and paid social. No per-view meter, no expiry clause to renew next year.

One brand on the floor

We never stack two catalogues in a day. Your products, your art direction, and our full attention until the set reads right on a phone — not a shared queue.

Shot for the crop

The square thumbnail, the 4:5 ad, and the pinch-to-zoom detail all come out of the same session — so one shoot day feeds every placement you actually run.

Two eyes, start to grade

The same photographer plans your shot list, lights it, and colour-grades the final files — so the images match the brand instead of a stock preset.

From your box of products to files you can upload.

What a booking looks like on the calendar — four moves, roughly two weeks end to end.

The brief

You tell us what you're selling and roughly how many SKUs. We build a shot list and pick surfaces before your products even arrive.

Shoot day

Your catalogue takes the floor for a half or full day. You can join by video and call the frame in real time, or leave it with us.

The grade

Clean-up, colour-matching to your real product, and the crops you need. First edits land within ten working days of the shoot.

Handover

Web-ready files, archival hi-res, and cut-outs where you need them — all under a full commercial license. Upload and go live.

Read enough? Tell us what's on your shelf.

Send the details and we reply within one business day with a package recommendation, a date, and a firm number.

Start a booking

A quote back, not a brochure

Tell us your product type and roughly how many SKUs. We'll match it to the right package and hold a shoot date while we talk it through.

One reply from the person who'll shoot it
A firm frame count, no guesswork
One campaign day per week — reserve early